Matt "Atlanta Bliss" Blistan
Matt "Atlanta Bliss" Blistan
With over 20 years of professional trumpet playing, Matt Blistan aka “Atlanta Bliss,” developed from a local band artist to a performer, composer, arranger, and producer with worldwide recognition. Matt began his professional music career in Pittsburgh, Pennsylvania, where he received a B.S. in Music from Duquesne University. His group “The Parker Brothers” was an extremely successful nightclub band with a repertoire of Earth, Wind, & Fire to Chuck Mangione. He grew up musically in Pittsburgh involved in many styles of music including Pop, Big Band, R&B, Funk, Classical, and Jazz.
In 1983, Matt relocated to Atlanta and started his own music studio and production house. There he composed and arranged music for corporate and business clients including jingle advertisements.
But in 1985, Matt’s career skyrocketed!
After auditioning with Prince, Matt joined the legendary band, The Revolution. Prince stage-named him “Atlanta Bliss” and welcomed his progressive jazz sound into the “New Revolution.” Matt worked in over 150 recording sessions that produced six albums: Parade, Sign O’ The Times, Lovesexy, The Black Album, The Batman Soundtrack, and Graffiti Bridge, still leaving extensive unreleased material in Prince’s vault.
Matt also recorded, arranged, and performed with other artists including Aretha Franklin, Bonnie Raitt, George Clinton, Patti LaBelle, Sheila E., Parliament-Funkadelic, Chaka Khan, James Brown, and Miles Davis. These sessions were more than great musical experiences. They earned Matt four Platinum Albums, four Gold Albums, and a Grammy.
Matt has extensive tour experience not only in the U.S., but also in venues all over the world including England, France, Austria, Germany, The Netherlands, Italy, Belgium, Switzerland, and Japan.
In addition to music, film has also been a major part of Matt’s career. He’s performed in 12 music videos, three major movies, and recorded four soundtracks. Prince’s live concert movie Sign O’ The Times features Matt’s musical fortes in Pop, R&B, Funk, and Jazz. Beyond performing and recording, Atlanta Bliss is a composer, arranger, and producer.
Jason Orr
Jason Orr
Jason Orr is an award-winning documentary filmmaker, marketing consultant, cultural arts curator and festival producer, most notably, FunkJazz Kafé Arts & Music Festival and Life Arts Documentary Film Festival + Music Conference. He’s the director, writer and producer of the award-winning documentary film, “FunkJazz Kafé: Diary Of A Decade”, producer of the award-winning “Maynard” documentary on former Atlanta mayor and visionary, Maynard Jackson, producer/director of “Stepping Into Tomorrow’ and director of “Hoodwinked: The Nigga Factory,” a web series produced by Speech of Arrested Development.
Orr has also produced and directed short films and music videos with several mainstream artists such as Meshell Ndegeocello, UK artist Omar Lye-Fook, Dionne Farris, and Van Hunt.
On-screen, Orr has appeared as himself on TV One’s hit series, “Unsung” and Centric’s “Leading Ladies – India Arie,” providing expertise commentary on music and social history.
In 2014, he received a proclamation from the City of Atlanta for his contributions to the city’s music, film and cultural arts communities.
He is currently the Director of Operations at Wolf Creek Amphitheater in College Park, GA.
Dr. Fink
Dr. Fink
Matt Fink, better known as “Dr. Fink,” helped define the history of popular music by playing keyboards in Prince’s legendary band The Revolution. Appearing on stage dressed in surgical scrubs and mask, he is one of the most iconic keyboard players ever, having studio session credits on the Prince albums Dirty Mind, Controversy, 1999, Purple Rain, Around the World in a Day, Parade, Sign O’ The Times, Lovesexy, The Black Album, and Graffiti Bridge and co-writing credits on the songs “Dirty Mind,” “Computer Blue,” “17 Days”, “America,” and “It’s Gonna Be a Beautiful Night.” Most recently as an executive music producer, he has gathered some of the finest musicians/composers for the Rhythm Rumble video game created by Pixelakes. As an in-demand session player, producer/engineer, and songwriter, Dr. Fink has worked with many artists, producers, and songwriters, including The Time, Lipps Inc., The Jets, Vanity 6, The Rembrandts, 7 Aurelius (Ashanti), Shock G. (The Humpty Dance), House Techno EDM artist Kris Vanderheyden (Belgium), and Producers David Z., Bobby Z., P. Diddy, and Marc Mozart (Berlin). Dr. Fink has won 3 Grammys, 3 American Music Awards, and numerous gold and platinum awards for his work with Prince & The Revolution and Warner Brothers Japan-based artist Toshinobu Kubota. Dr. Fink joined Prince’s band in 1978 and worked with him until 1991. His tenure with Prince includes his work with The Revolution, The NPG, Madhouse, the 1984 movie Purple Rain in which he appeared, and its accompanying soundtrack, which has sold over 25 million copies worldwide. After his tenure with Prince, he became a staff producer/engineer for Minneapolis based record label K-Tel/Dominion Entertainment from 1991-1996, where he produced and recorded fifteen specialty album projects. In 2001 he released the Dr. Fink solo album “Ultrasound.” Other credits include composer on video game soundtracks for Headgames/Activision and King Show Games, PBS documentaries, advertising spots, and various projects for Berlin-based management and production company, Mozart & Friends, as well as Universal Music Group, Warner Bros., and Sony. After Prince’s passing in 2016, Dr. Fink reunited with The Revolution for live performances. Currently, he works with New York-based company V-Media Entertainment as Director of Music Catalogue and Licensing.
Zaheer Ali
Zaheer Ali
Zaheer Ali is a historian and scholar of 20th century United States and African-American history. He is currently an adjunct lecturer at New York University, where he taught a Spring 2017 course titled, “Prince: Sign of the Times,” an examination of Prince’s life and legacy in American history and culture. He’s presented his scholarship on Prince at conferences at Yale, Salford University in Manchester, England, and the University of Minnesota.
Eric Leeds
Eric Leeds
Grammy Award-Winning saxophonist & flutist Eric Leeds first started working with Prince in the mid 80’s when he was offered a spot in the band The Family. Their debut was released in 1985 on Paisley Park records. Leeds continued to work in the studio and onstage with Prince, including a plethora of tours and performances on Prince and Prince-related albums, including but not limited to Parade, Sign O’ The Times, Lovesexy, and Batman.
In 1986 Prince created the group Madhouse to feature Eric’s saxophone and flute musicianship. Two albums were released for that project, 8 and 16, both released in 1987.
Eric subsequently released two albums of his own on Paisley Park/Warner Bros., Times Squared and Things Left Unsaid. He released a 3rd solo record in 2000, Now & Again.
With fDeluxe (formerly The Family), Eric recorded Gaslight (2011), AM Static (2014), and Live & Tight As a Funk Fiends’ Fix (2014).
As LP music alongside St. Paul Peterson, he released No Words in 2017.
Today, Eric continues to play with fDeluxe and with Paul Peterson in the group LP Music.
Anil Dash
Anil Dash
Anil Dash is the CEO of Glitch, the friendly community where millions of creators collaborate to discover and create apps together. He is recognized as one of the most prominent voices advocating for a more humane, inclusive and ethical technology industry through his work as an entrepreneur, activist and writer. Dash also hosts Function, a podcast exploring how tech is shaping culture and society, which leapt into the top 5 technology podcasts in Apple’s store just after its launch in 2018.
Dash was an advisor to the Obama White House’s Office of Digital Strategy, and today advises major startups and non-profits including Medium, DonorsChoose and Project Include. He also serves as a board member for companies like Stack Overflow, the world’s largest community for computer programmers, and non-profits like the Data & Society Research Institute, which researches the cutting edge of tech’s impact on society, and the Lower East Side Girls Club, which serves girls and families in need in New York City.
Described by the New Yorker as a “blogging pioneer”, his Webby-recognized personal website has been cited in sources ranging from the New York Times to the BBC to TMZ, and in hundreds of academic papers. As a writer and artist, Dash has been a contributing editor and monthly columnist for Wired, had his works exhibited in the New Museum of Contemporary Art, and collaborated with Hamilton creator Lin-Manuel Miranda on one of the most popular Spotify playlists of 2018. In 2013, Time named @anildash one of the best accounts on Twitter, and he is the only person ever retweeted by Bill Gates, Alexandria Ocasio-Cortez, and Prince, a succinct summarization of Dash’s interests. Dash has been a featured speaker and guest in a broad range of media ranging from the Aspen Ideas Festival to SXSW to Desus and Mero’s late-night show.
Dash is based in New York City, where he lives with his wife Alaina Browne and their son Malcolm. He has never played a round of golf, drank a cup of coffee, or graduated from college.
Michael Dean
Michael Dean
Michael Dean started his journey in the arts back in 1988 as an up and coming rapper in the Seattle hip-hop scene. The release of his independent single ‘The Master”, lead to a mention in the Source magazine. Michael lent his talents on keyboard and vocals touring the midwest with The Evil Tambourines (SubPop) opening for Sir Mix-O-Lot in 1999. From there Michael joined the business side of the music business and operated a CD/DVD replication business for 15 years.
In 1995 Michael started to blog about Prince on the internet. Michael along with a few others was invited to a private online chat with Prince to discuss involvement in creating a website for the musical icon. (Love4oneanother) Michael respectfully declined but was so honored to be considered that he was inspired to start a new website called ‘FreedomTrainOnline’ which would morph into The Prince Podcast. For over 15 years The Prince Podcast, now called Podcast On Prince has done in-depth interviews with band members and associates. Featured in the Huffington Press and Forbes. Michael recently moderated the event ‘Prince: From Minneapolis to the World’ for the Minnesota Historical Society.
Michael came back to his musical roots in 2010 and has since released 3 albums: Stroke The Mind B4 The Behind, Rainydayjams Vol.1, and Lake Minnetonka aka What I Learned From Prince.
Michael also added author to his list of talents. His 1st science fiction novel Truths Destiny (The Destiny Saga) (Volume 1) was released in 2014.
De Angela L. Duff
photo ©Branda: courtesy of NYU Photo Bureau
De Angela L. Duff
#SOTTSDC Creator & Curator
De Angela L. Duff is currently an Associate Vice Provost at New York University (NYU) and an Industry Professor at NYU Tandon School of Engineering.
De Angela’s mission is to share her passion for music, photography, design, technology, creativity & productivity with others. She curates music symposia, including the upcoming #SOTTSDC (2020) celebrating the release of Prince’s Sign O’ The Times Super Deluxe & #1plus1plus1is3 (2021) for 40 yrs of Controversy, 30 yrs of Diamonds & Pearls, and 20 yrs of The Rainbow Children Prince albums. Her past symposia include Prince #DM40GB30 (2020) virtual via Hopin, Prince BATDANCE (2019) at Spelman College, and Prince EYE NO: Lovesexy (2018) & Betty Davis–They Say I’m Different (2018) both at NYU Tandon. She also co-produced Peach + Black for the 30th anniversary of Prince’s Sign ‘O’ The Times (2017), also at NYU Tandon. She also produces, co-hosts, and edits the Prince & Prince-related podcasts for Grown Folks Music. Additionally, she has been conducting Time Warrior workshops on time management, project management, and productivity since 2011. From 2004 -2017, she also hosted No Turn Unstoned, an online, radio show of curated mixes.
De Angela speaks at numerous conferences internationally. Next, she will be speaking at the Dayton Funk Symposium in April 2021 and the Prince 78-88: An Interdisciplinary Conference at The University of Minnesota in June 2021. She has spoken at Black Portraiture[s] V (NYU), IV (Harvard), III (South Africa), II (Florence, Italy) & II: Revisited (NYU), the Prince from MPLS symposium at the University of Minnesota, Purple Reign: An interdisciplinary conference on the life and legacy of Prince at the University of Salford in Manchester, England, EYEO in Minneapolis, MN, NYC’s Creative Tech Week & Raising The Bar, AIGA’s Social Studies: Educating Designers in a Connected World at MiCA in Baltimore, Maryland, AIGA’s Massaging Media 2: Graphic Design Education in the Age of Dynamic Media in Boston, MA, and HOW’s Annual Design Conference. She has judged Eyebeam’s Trust Residency, Tribeca Film Institute’s New Media Fund, and HOW’s Interactive Design Competition. Her words have been published in Prince and Popular Music: Critical Perspectives on an Interdisciplinary Life (2020, Bloomsbury) & the Black Magnolias Literary Journal’s Special Issue on Prince (2020) and her creative work has been featured in publications such as HOW & Print magazines, and the books, Now Loading & www.animation: Animation Design for the World Wide Web.
De Angela holds an MFA in Studio Art (Photography) from Maryland Institute College of Art (MiCA), a BFA in Graphic Design from Georgia State University and a BS in Textile Engineering from Georgia Tech. Presently, she lives, works, and plays in Brooklyn and New York City.
Other Symposia Curated & Organized by De Angela
Grown Folks Music (GFM) Podcasts (De Angela only produces and edits the Prince & Prince-related ones.)
Websites
Edgar Kruize
Edgar Kruize
Edgar Kruize is a freelance author, journalist and content creator based in the Netherlands. He is co-owner of communications agency buro33. He is specialized in music in general and specifically the entertainment industry. Kruize has been working for various (trade) magazines, concert and tour promoters, festival organizers and record companies for over two decades. He has written nine books on various musical subjects and is co-owner and publisher at Permafrost Publishers.
All it took was a cough in the Raspberry Beret video to have the young Edgar notice the artist he’d later found out to be Prince. Prince’s impressive body of work has been an inspiration in life and work. Kruize is the author of the book Prince: The Dutch Experience (2017), in which all of Prince’s steps in the Netherlands are retraced. Also he co-hosts the Dutch Prince-blog PurplePicks.net, wrote the liner-notes for the 2019 Sign “O” The Times deluxe dvd/blu-ray set (along with appearing in the documentary about the making of that movie) and (co)hosted multiple Prince themed lectures and live interviews.
Miles Marshall Lewis
Miles Marshall Lewis
Miles Marshall Lewis has written for The New York Times, Rolling Stone, GQ.com, Essence and many other publications. His work has appeared in Black Cool: One Thousand Streams of Blackness, Hip-Hop: A Cultural Odyssey, The Believer Book of Writers Talking to Writers, and elsewhere. He’s also the author of There’s a Riot Goin’ On, and Scars of the Soul Are Why Kids Wear Bandages When They Don’t Have Bruises.
jooZt Mattheij
jooZt Mattheij
jooZt Mattheij (1970) has a creative job in media professionally and is one of the people behind PrinceVault.com. He appointed himself de facto editor, not because of ego, but because he realized the site needed one and someone had to do it, so he stepped up.
He has been a Prince enthusiast since 1986 when he got to see the Parade show in Rotterdam, by chance. Then over the years got sucked into the Prince-realm deeper, working for Uptown magazine and with Per Nilsen on their book TheVault in 2004, leading up to passionately cataloging Prince’s work as detailed as possible on PrinceVault.com. It has become the go-to website over the years, where even The Estate is known to consult for quick accurate information. It’s quite a responsibility, but someone like Prince deserves his legacy to be preserved and I am happy to do my share.”
Peer-reviewing books, papers and other publications by Prince-scholars like Duane Tudahl, Edgar Kruize, and De Angela L. Duff is his favorite pastime.
Nicolay
Nicolay
Born and raised in the Netherlands, classically trained multi-instrumentalist and producer Nicolay played in a number of hip-hop and R&B bands around his homeland, but it wasn’t until 2000 that he decided to start producing his own beats. In 2002 Little Brother MC Phonte Coleman stumbled across one of them on Okayplayer’s message board and asked if he could put his rhymes over it, and soon a friendship and a musical relationship were born. This transatlantic collaboration, which they called The Foreign Exchange, led to an album, Connected, in 2004, after which Nicolay continued producing tracks for Little Brother and Cesar Comanche, releasing City Lights Vol. 1.5 first only online and then through BBE Records in 2005. The Dutch Masters, Vol. 1, which featured Nicolay DJing, came out that same year, followed by Here in 2006. In 2008 the producer teamed up with Houston rapper Kay (whom he had also met through message boards and had put on a track on Here) and issued the album Time:Line. The second Foreign Exchange album, Leave It All Behind, came later in the year on the Foreign Exchange label. One of its highlights, “Daykeeper,” was nominated for a Grammy, but not before the 2009 release of Nicolay’s own City Lights, Vol. 2: Shibuya. The Foreign Exchange label expanded during the early 2010s with additional albums from FE and Phonte, as well as releases from collaborators YahZarah, Zo!, and Median. In 2015, Nicolay released another predominantly instrumental solo album, City Lights, Vol. 3: Soweto. Its material, enhanced with vocal contributions from Phonte, Carmen Rodgers, and Tamisha Waden, was inspired by South Africa dates on the Foreign Exchange’s world tour the previous year.
Elliott H. Powell
Elliott H. Powell
Elliott H. Powell is an Assistant Professor of American Studies at the University of Minnesota. His work merges critical race, feminist, and queer theory to consider the political implications of Black popular music. Writings from these research areas are published or forthcoming in The Black Scholar, GLQ: A Journal of Lesbian and Gay Studies, and The Oxford Handbook of Hip Hop Studies. He is currently at work on a manuscript, Prince, Porn, and Public Sex, which explores the politics of sex(uality) and music in 1980s Minneapolis.
Harold Pride
Harold Pride
Harold Pride is a community-based lecturer and arts enthusiast. His previous presentations include “Sonic Visuals” (Spelman College, 2012), “Take This Beat” (University of Salford – Manchester UK, 2017), and “You Look Like You’re From Oakland!”(NYU, 2018). He also participated in a panel discussion on Prince’s social activism, “Black Albums Matter” (California State University, Los Angeles). Attending close to 40 Prince concerts over the span of his career, he was also featured in a promotional commercial for Prince’s The Rainbow Children album, filmed at Paisley Park.
Arthur Turnbull
Arthur Turnbull
Arthur Turnbull is co-founder of The Music Snobs LLC, and producer of The Music Snobs, Mad Unreal, Snobs On Film, and Entry Points podcasts. Arthur lives in Arizona with his wife and children where he founded Arturo Solo LLC, a technology consultancy.
Ricky Wyatt
Ricky Wyatt
Ricky Wyatt, “The Ricker,” is a bassist, performer, comic book author, long time Prince fan and a disciple of the MPLS sound. A native of Atlanta, GA, currently living in Richmond, VA. Ricky leads the jazz-funk unit “SoWhut?!” and the R&B unit “Footprints.” A graduate of Virginia State University’s Department of Political Science, and a student of Prince’s purple grooves since ’79, Ricky teaches History at the Binford Middle Arts & Integration Program for Richmond Public Schools and maintains an active performance schedule. Ricky serves as a contributor to Grown Folks Music, a position he has held since 2011, and always holds it down on the Prince & Prince-related podcasts on the GFM podcast network.